ARTICLES
REVIEW: “Heart Strings” EP by Kohen Jaycee x Axon
We all consume music differently. Some listen for vibes, others for vocals, whereas others tune in for lyrical proficiency… Others listen for different combinations of the many elements. That said, I believe that in one way or another, we listen to connect.
There is probably a song for every feeling. Whether you’re happy, sad, confused, or mad, there’s always a song for that! Through music, artists sometimes open a window into their emotions. They let us into their space, and allow us to peek into their inner thoughts. And as we listen and relate, we find joy, comfort, warmth, understanding… And yes, every now and then, we connect!
Over the years, Kohen Jaycee has consistently given us relatable music on so many different levels. Music that speaks of familiar stories, from the love that we don’t want to let go of (Not Lettin’ Go) to the love that the heart refused (Siganye). One thing that’s usually present in a Kohen Jaycee x Axon producer-artist collaboration is that feel-good energy. Even in the songs with names in the titles; you might not know an Eva, but the energy might make you feel like you like her already.
After the range of emotions on both WENA I and WENA II, Kohen Jaycee decided to turn it up a notch as he tugged at our HEART STRINGS with his latest project. Kohen announced the new project a couple of weeks before, as he celebrated his Wenaversary. That day, he dropped an acoustic version of his single “Your Number” off his Wena EP, and with the way he made that song from before Covid sound like it was fresh out the oven, we knew we were in for the musical equivalent of Fine dining.
This wasn’t the only clue in the build-up to the EP. Almost exactly a month before Heart Strings dropped, @KohenJaycee tweeted “I hate writing sad songs, but this one is special…” Personally, I felt like I had just been told a secret that I was really struggling to keep due to all the excitement and anticipation.
Luckily, I didn’t have to keep it for too long. The project finally dropped and we all got to listen to “Don’t Leave Me,” the first song off Heart Strings. @KohenJaycee was right, this one IS special!! I remember thinking to myself after listening to it that very first time, “We are witnessing a very special young talent.”
Don’t Leave Me is very well orchestrated! Right from the first sounds Axon delivered, it felt like a Siren call letting us know that we needed to brace ourselves for the emotional awesomeness ahead. As the song continues, we are treated to the same style of production behind some of our favorite collaborations between the duo. The sound is reminiscent of the one in Siganye, Ndi Naawe, Not Lettin Go…It’s a whole cheat code!
The moment Kohen Jaycee starts singing, he delivers a clear message and we can’t help but swim in the wave of empathy that hits thereafter. He is Believable! That’s the best part! When music sounds like it’s from an honest place, it makes the connection all the more pure.
As usual, the writing is bliss!! He blends great storytelling with the controlled vocals that we have gotten accustomed to. “I like that Kohen understands his voice and knows how to play within his range in order to make good music,” I said this in my review of the Wena II project, and yet it still rings ever so true! Well, except for the fact that I’d like to change that “good” to “Great”! Kohen Jaycee makes Great music.
Looking at the track list, one might complain that there isn’t enough. Yes, on paper, four songs might seem as short as Ian trying to reach for the mic after Kohen was done singing on the Season Finale of The Tribe UG Podcast. But the depth of flavor and the various layers that Kohen and Axon pack into this EP make it a case of “Quality over Quantity”. As I said earlier, this project is the musical equivalent of Fine dining.
The second song on the EP starts off on a High note as Kohen hits that falsetto, but this time it is “The Godfather,” Axon that shows off his range of production as he steps away from their usual Afro-RnB style that we’ve become familiar with, and blesses us with a different skillset that we might overlook when thinking of what he has got in his bag. When the beat drops, Nkulinze reminds me of RnB gems like Usher’s “Moving Mountains.” The style is similar, and if you’re an RnB fan, you can’t help but love it!
Halfway into the project and it had already offered so much. Two songs in, and I was already thinking ahead to that Album announcement that Kohen Jaycee made during the Heart Strings listening party. The final two songs offered the type of energy necessary to complete this four-course meal of an EP. For many, Ninyenda Iwe brought that feel-good vibe we have come to love. The song was penned by singer/songwriter Akeine and features her vocals as she backs up Kohen Jaycee with smooth harmonies.
This is the third review I’ve written for a Kohen Jaycee project, and just like I did for the first two, I have to commend Kohen for his impeccable track arrangement. Byokola is the dessert that this EP deserved. As a final song, it provides a lighter mood while maintaining the good vocals, fun storytelling, relatability, and good production that we have been served right from the start.
We all consume music differently. Some listen for vibes, others for vocals, whereas others tune in for lyrical proficiency… Others listen for different combinations of the many elements. Kohen Jaycee and Axon delivered an EP that could cater to your every need. Heart Strings is an intentional Project. The only thing better than listening to this project right now is watching Kohen Jaycee perform it live. We can’t wait to witness the next part of his musical journey.
Check out the EP HERE
ARTICLES
INTO THE B’RAKA LAND
Last weekend we got our visas stamped as we took a trip into the B’raka Land. After a Euro-tour through Denmark, Finland and others… All the way to a sold out show in London, the fastest rising star on the African continent came back home to Kampala to deliver an epic concert on 29th November 2025, one day after dropping his debut album, JUVIE.
In one weekend, Joshua gave us so much to unpack. So, let’s start from the Music.
We have seen Joshua evolve from projects like Baby Steps, where songs like Tewekweka exposed some of us to his talent, all the way to Watershed, which let people know and confirm that he was for real. We journeyed with him through his Growing Pains, where the continental appeal was beginning to ring true, and then he gave us Recess. Through these many projects and countless features, Joshua has showed us his talent, consistency and heavy work ethic. It was constantly Moves on Moves until we finally got JUVIE.

Right from One of One, we knew we were in for some flames, and we did not have to wait to get them because the next song on the album, Morocco, delivered all the heat and then some. The song is a Banger, and from early reviews and reactions on the socials, it is clearly a crowd favorite. Joshua immediately follows this up with Dive In, which was released earlier as a single, so we already knew that JAE5 and Joshua Baraka had given us an anthem. The project does not slow down at all, as he continues into Still Young, another early crowd favorite, which confirmed that we were four for four with eight to go!
One of the things that made the listening process epic was the sequencing. After starting with all that heat, Joshua gives us a mini interlude, before slowing down the tempo with one of my favorite songs on the Album, This Time. It is a well written song with silky melodies and smooth vocals that will definitely appeal to the fans that are into his more afro RnB side.
Joshua kept the energy going with State of My Heart, which features Kenyan sensation, Bien, which he followed it up with Wrong Places, which spent most of 2025 as the number one song on Apple Music in Uganda and was by far the most streamed song on Spotify in Uganda this year.
Joshua Baraka’s Juvie makes for a nice, smooth and simple listening session, right from the start, all the way to the final song, So Low, featuring The Compozers, which was a perfect way to close the project and leave us on a high note.

By the time we got to Ndere Cultural Center for the concert, we were pumped and ready to get right to it. Those of us who knew all his projects and collaborations were eager to see what selection of songs he had picked to sing to us. Those of us who have watched him perform multiple times in the past were eager to witness his growth on stage and to be a part of yet another chapter of his story. Overall, there was a high dose of FOMO in the air. Before Joshua even sang, the show had already hit a number of positives in my books; great price structure from the early bird to the last day – This was perfect to allow the core fans to access and afford their night out with their superstar.
Another win for me was the strategic partnerships, from Talent Africa to Bell Citrus and Mirinda– this set up the perfect vibe and energy, making the drinks and food affordable, enabling every fan to have a total blast in this economy, especially with DecemBAR loading and Kampala about to throw event after event our way. By the time Joshua jumped on stage, the crowd was fully charged and ready to go! Shout out to Joshua and his team for ticking all the boxes.
The performance was great, overall. Joshua had great song selection, and did not leave us feeling as if we’d missed out on anything. He catered to the different fan groups that were present, from the day ones to the late comers. He even delivered some extra throwback fire for the older fans too. He picked the right collaborations in A Pass, IzabelUG, BigTril, Mun G and Maurice Kirya. We were not left wanting. And for any little thing that didn’t go according to plan, I just got more excited, because it just showed that there is still room to grow, and we can only trust that he will step right in and through that room.
Keep streaming JUVIE Here
ARTICLES
Tukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy
By Byaruhanga Felix (@MrByaruhanga)
Oftentimes, you read reports indicating that the creative and cultural industry is one of the fastest-growing sectors on the African continent, expanding faster than oil & gas, mining, or many traditional industries. The backdrop of such reports is made up of institutions like Nafasi Art Space: a vibrant, innovative hub for artistic exchange in Dar es Salaam.
In a nutshell, Nafasi Art Space is a home for all creatives, from visual artists, performing artists, artisans, filmmakers, poets, musicians, to fashion designers. As a first-time visitor, I immediately felt that one of the things Nafasi derives its power from is embedded right in its identity, the name “Nafasi,” a Swahili word meaning “space” or “opportunity.” On that foundation, the leadership has created a home overflowing with possibilities, a place to create, learn, inspire, and provoke conversation in society, just as true art and artists do.
This home is not only a safe space for artistic expression, but beautifully inclusive. They continue to achieve this through outstanding programs such as the Nafasi Academy, Film Club, exhibitions, residencies, digital art lab, performing arts showcases, and more.
As November came to a close, Nafasi Art Space, in partnership with the Embassy of Switzerland in Tanzania and the Norwegian Embassy Dar es Salaam, hosted the 3rd edition of Tukutane Dar Arts Week under the theme: “Cross-Border Collaboration: For the CCI Sector Growth.” Tukutane was initially postponed for everyone’s safety due to post-election chaos, but with new dates confirmed (24th–30th November), more than 20 delegates from Africa and Europe converged at Nafasi to share knowledge, strengthen networks, and collaborate for a fruitful week of learning and cultural exchange.
One thing that hits you the moment you arrive at Nafasi is the energy and passion of the team behind the institution. From Fatma Mkota (Partnerships Coordinator) who welcomed and toured us around, to Gwendoline Charlotte (Marketing Manager) enthusiastically declaring, “I am here for content!”; Peter Lukumayi (Finance Manager) wearing multiple hats to ensure smooth operations; and of course Lilian Hipolyte (Director), the guiding force behind this dynamic ecosystem. Engaging with them makes it clear why Nafasi works: why the space feels like a sanctuary for creatives of every age, experience level, physical ability, gender, and discipline. This team of “Avengers” carried us throughout the week with a program that clearly took months of meticulous planning and resilience despite challenges.

Alongside this remarkable team was an equally impressive group of delegates, passionate creatives ready to contribute from their wealth of experience. Through workshops, roundtables, and hands-on sessions, we exchanged practical ideas and explored possibilities for breakthroughs across the sector.
The exhibitions highlighted milestone achievements from Nafasi programs, showing where they started, where they are now, and what the future holds. We celebrated the progress of the Film Club residency cohort, the curators graduating from the Nafasi Academy in partnership with the University of Dar es Salaam, and talented artists showcasing their evolution. The evenings were spiced with curated showcases, cooling down the Dar heat while heating up vibrant dialogue, from panels on building communities in film and fashion, to a delicious Swahili food experience.
These were spaces created by artists for artists, and the audience engagement made that clear. Views were shared openly, disagreements turned into progressive debate, and ideas translated into art in real-time. Some of these memorable expressions were immortalized through live graphic commentary by Nathan Mpangala (cartoonist & illustrator), now proudly featured on Nafasi’s social pages.

As Tukutane Dar wrapped up, we were treated to a powerful closing event where over 80 artists took the stage, a testament to Nafasi’s impact in nurturing and amplifying talent. Performances included legendary Tanzanian acts and rising stars alike, while artisans showcased and sold work crafted during their time in the Nafasi community. It was a clear demonstration of a thriving alumni ecosystem, one that continues to enrich the creative economy long beyond a residency or program.
From start to finish, Tukutane Dar Arts Week 2025 was a reflection of what happens when space meets opportunity, when creativity meets community, when collaboration crosses borders.
I return home inspired, hopeful, and eager to contribute to the continued growth of our continental creative ecosystems.
Looking forward to celebrating the successes of Tukutane Dar 2025, again, in 2027.
ARTICLES
Apply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
If you’re a cultural or creative entrepreneur in Kampala looking to take your business to the next level, here’s a game-changing opportunity worth paying attention to. Africalia, in partnership with The Bold Woman Fund, has launched a new business incubation programme dubbed Koola Kampala, designed specifically to support and elevate Kampala’s creative and cultural sector.
Koola Kampala is a 12-month business support programme for legally registered creative businesses that are already generating revenue. It aims to build stronger, more sustainable enterprises by equipping entrepreneurs with the tools, mentorship, and strategic guidance they need to thrive in Uganda’s rapidly growing creative economy. Whether you’re running a music label, fashion brand, media studio, design outfit, or cultural enterprise, this programme is tailored to strengthen the business side of your creativity.
This initiative is funded by Africalia and aligns with the 2005 UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Sustainable Development Goals, and national cultural development policies. It seeks to invest in the people driving Uganda’s creative heartbeat, young innovators building impactful businesses at the intersection of culture, identity, and entrepreneurship.
To be eligible, you must be over the age of 18, based in Kampala, and running a legally registered cultural or creative business that has been active for at least one year. Your business must already be generating revenue and able to provide samples of work when requested. More importantly, applicants should demonstrate a strong motivation to strengthen their business management and growth strategies.

The programme is structured in four key phases. First is the selection phase, during which 15–20 promising businesses will be shortlisted based on eligibility, motivation, and programme fit. This is followed by a 3-month pre-incubation phase, where selected participants will undergo a diagnostic assessment of their businesses, receive both group and individual coaching, and be trained on key business fundamentals. At the end of this phase, 12 businesses will be selected to move forward into the main incubation phase, which spans 9 months of intensive training, weekly one-on-one coaching, strategic growth support, and specialised modules tailored to the needs of each participant.
Once the incubation phase concludes, the programme enters its final phase—post-incubation—where participants will walk away with a tailored action plan for their business, deeper entrepreneurial skills, refined business models, and access to both national and international expert support. Additionally, they will have the opportunity to apply for seed funding to support the implementation of their business plans.
Applications are now open and will close on Saturday, July 5, 2025, at 6 PM (Kampala time). Interested entrepreneurs can apply through the online form available here. For further questions, Africalia and The Bold Woman Fund can be reached via africalia@africalia.be or contact@boldinafrica.com up until June 29.
For Kampala’s creatives, this isn’t just another programme—it’s a doorway to long-term growth, sustainability, and impact. If you’re ready to build a business that lasts and contributes meaningfully to Uganda’s creative ecosystem, Koola Kampala is the opportunity you’ve been waiting for.
-
Interview11 months agoMaritza on Breaking Continental Barriers with Spoken Word EP ‘Poetry in Motion’
-
ARTICLES6 months agoApply Now: Koola Kampala Business Incubation Programme for Creative Entrepreneurs in Uganda.
-
ARTICLES11 months agoKohen Jaycee’s ‘Gundeze’: A Soulful Anthem of Love.
-
ARTICLES11 months agoReviving Nostalgia: Akeine and Henry Tigan’s “Out of Control” Remix.
-
Interview11 months agoMitch Isabirye on Poetry, Collaboration, and Culture: The Story Behind ‘Poetry in Motion EP’
-
ARTICLES11 months agoOn the Move by Denesi: A Powerful Anthem of Hustle and Ambition
-
ARTICLES3 weeks agoINTO THE B’RAKA LAND
-
ARTICLES4 weeks agoTukutane Dar 2025: How Nafasi Art Space is Powering Africa’s Creative Economy


